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David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars

David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars

Genre: Other
Performer: David Bowie
Album: The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
Label: RCA
Catalog number: AYL1-3843
MP3 version ZIP size: 1227 mb
FLAC version ZIP size: 2328 mb
WMA version ZIP size: 2487 mb
Rating: 4.9
Votes: 889

Album
Узнавайте о релизах, читайте рецензии, изучайте композиция дорожка трек-листы, рекомендации и прочую информацию о David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars на album title comes from the BrechtWeill opera Aufstieg und Fall der Stadt Mahagonny The Rise and Fall of the City of Mahagonny, first performed in 1930 but banned by the Nazis three years later. David Bowie - Ziggy Stardust. Rock 'n' Roll Suicide. artmet23. David Bowie. Hang On to Yourself. Moonage Daydream Arnold Corns Version. It was released on 16 June 1972. Ronson also doubled on keyboards. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Ziggy Stardust demo. The Rise and Fall of Ziggy Stardust and the Spiders from Mars - David Bowie. Backing vocals on It Aint Easy, the albums one non-original, were supplied by the statuesque Dana Gillespie. A Became the special man, C Then we were Ziggy's band. G Now Ziggy played guitar, Bm C Jamming good with Weird and Gilly, B C D And the Spiders from Mars. The Rise and Fall of Ziggy Stardust and the Spiders from Mars Q&A. Starman 2012 Remaster. He could lick 'em by smiling, he could leave them to hang. WMG от лица компании PLG UK Catalog. Front cover of this issue has derived from US artwork, and the RCA Victor logo and US catalogue number have been pasted over. Узнавайте о релизах, читайте рецензии, изучайте композиция дорожка трек-листы, рекомендации и прочую информацию о David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars на Bowie. Lady Stardust. Soul Love. Moonage Daydream. это как у deepa-72-уslade-76-уgeordie-74-уsweet-74--бесподобно. But what we love even more than the platform boots and silver lamé are the thrilling songs that drive this record, from the guitar-heavy rockers Suffragette City and Moonage Daydream, through the soulful ballads Starman and Lady Stardust to the unapologetically theatrical c. The album was recorded at Trident Studios, London, 9 July 1971 - 4 February 1972 using material from the sessions for the previous album 'Hunky Dory' 'It Ain't Easy', July 9, 1971, all other tracks being recorded between November 8, 1971 and February 4, 1972. Am G5 F5 G5 Am So where were the spiders, Am G5 F5 G5 Am While the fly tried to break our balls Am G5 F5 Just the beer light to guide us, F5 G5 D Dsus2 so we bitched about his fans D E and should we crush his sweet hands. Look for lines that break. This album was also selected by the Library of Congress, for preservation in the National Recording Registry, in 2017. The album was recorded at Trident Studios in London like his previous album Hunky Dory. Five Years. 50 видео Воспроизвести все Classic album title comes from the BrechtWeill opera Aufstieg und Fall der Stadt Mahagonny The Rise and Fall of the City of Mahagonny, first performed in 1930 but banned by the Nazis three years later. Текст песни: Ziggy played guitar Jamming good with Weird and Gilly And the Spiders from Mars He played it left hand. G He played it left hand, G Em But made it too far. Юрий Юрий. Ziggy Stardust. Lady Stardust demo. Most of the. David Bowie has pulled off his complex task with consummate style, with some great rock & roll the Spiders are Mick Ronson on guitar and piano, Mick Woodmansey on drums and Trevor Bolder on bass theyre good, with all the wit and passion required to give it sufficient dimension and with a deep sense of humanity that regularly emerges from behind. Includes printed lyric inner. Closing out classics week with an amazing album. Ziggy stardust. Suffragette City. Ziggy really sang, screwed up eyes and screwed down hairdo, B C D like some cat from Japan. First UK issue. Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie's fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread. David bowie. A Became the special man, C Then we were Ziggy's band. His new glam image made him a global superstar and remains an iconic rock fashion touchstone. 50 видео Воспроизвести все Classic heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. It Ain't Easy. Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. The album title comes from the BrechtWeill opera Aufstieg und Fall der Stadt Mahagonny The Rise and Fall of the City of Mahagonny, first performed in 1930 but banned by the Nazis three years later. David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars 1972. The Rise and Fall of Ziggy Stardust and the Spiders from Mars is the fifth studio album by English musician David Bowie. Hang On to Yourself Arnold Corns Version. It was produced by Bowie and Ken Scott and features contributions from Bowie's backing band the Spiders from Mars comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. He could lick 'em by smiling, he could leave them to hang. The Rise and Fall of Ziggy Stardust and the Spiders from Mars often shortened to Ziggy Stardust is the fifth studio album by English singer-songwriter David Bowie, released on 16 June 1972 in the United Kingdom by RCA Records. A tale of intragroup jealousies, it features some of Bowies more adventuresome imagery, some of which is really the nazz: So we bitched about his fans and should we crush his sweet hands . John, I'm Only Dancing. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie's fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread. The documentary was filmed at the same concert in 1973, where Bowie decided to retire the Ziggy Stardust persona. Ziggy Stardust has a faint ring of The Man Who Sold the World to it - stately, measured, fuzzily electric. The London production at Sadlers Wells Opera in January 1963 was conducted by Colin Davis. It is possible to discern a large rectangular cover over, on which the UK details are placed on top of. Шикарный альбом. Узнавайте о релизах, читайте рецензии, изучайте композиция дорожка трек-листы, рекомендации и прочую информацию о David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars на heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Starman, Ziggy Stardust и Suffragette City. It was produced by Bowie and Ken Scott and features contributions from Bowie's backing band the Spiders from Mars comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. not continuous. Not to be confused with second issue cover, where JUST the catalogue number has been covered over and changed. The Spiders From Mars included guitarist Mick Ronson, who plays with a maverick flair on Suffragette City, Moonage Daydream, and Hang Onto Yourself, Trevor Bolder on bass, Mick Woody Woodmansey on drums
Comments:
Dyni
The max sold value is incorrect, I sold one of my copies for £120 2 years ago

Kigul
This thread discusses some issues with the 'last 10 sold' system, maybe the others I sold that aren't shown had just sold many copies in a month... Definitely very misleading system as discussed in the thread, it distorts the average value data, just an opinion i share with a few others :) I'm still thinking some data hasn't been updated as the date shown on a couple go back beyond when my copies sold. Thanks again for letting me know this anyway :) https://www.discogs.com/forum/thread/748410

Kanal
I thought that may have been a possibility, but I noticed others that I sold more recent that haden't been updated which i posted comments on after this too. Thanks for the input nonetheless, if you'd like links to all the others that I've left updates on let me know :)

MEGA FREEDY
Those stats are just from the most recent 10 that sold.

Gandree
Ive done a lot of reading about this album... if your copy skips on five years or star... its not your player,i picked up a copy yesterday and mine skips on star. Super dissaplinted this is such a great album. If you are going to buy this album make sure its from somewhere with good return policies.

greed style
I own 9 pressings of this, one being an OG 1E 2E UK copy. I can't imagine a 1E 1E sounding any better to any given set of ears. As long as the vinyl is clean and the grooves undamaged, a 2E copy should melt your ears.

Diab
The 1e/1e pressing has a different mix of Starman. It was remixed for the 1e/2e pressing onwards.

Der Bat
"Front cover of this issue has derived from US artwork, and the RCA Victor logo and US catalogue number have been pasted over. It is possible to discern a large rectangular cover over, on which the UK details are placed on top of. Look for lines that break./ not continuous. (Not to be confused with second issue cover, where JUST the catalogue number has been covered over and changed.)"Logic would suggest this to be true, and I for one believe this also to be true as it does make sense. However I am yet to find a genuine 2nd press (1E/2E) with the "second issue cover, where JUST the catalogue number has been covered over and changed". 1E/2E always seem to be housed in what this page calls the first issue cover.So many sites debate this fact and just wondered if anyone has a definitive answer to this age old question?The best answer I have found is that the 1st batch of covers which have the full paste over, wasn't issued with 1st press (1E/1E) as it was deemed inferior and replaced with a more subtle past over (just the catalogue number) which went on to house the first issued 1E/1E. The first batch covers finally got used up with 2nd pressings as it would have been a waste as so many were made. Thoughts anyone?

kolos
Hi I have 3 copies of this album my 1E/1E has the full paste over ,my 1E/2E has no past over and is I think the 1st uk printed cover (neither of these 2 albums have any reference to mainman) and my last copy is a 2E/2E which has mainman on record label and cover and is slightly darker than the 1E/2E copy obviously I don't know if these are the original covers or have been changed as I didn't buy these when first released but they all seem to match up with information I have read ,hope this helps.

Zargelynd
Releases should not be allowed to be published without photos of the labels.

PanshyR
Putting this on a turntable instead of playing it through an IPOD or on CD is a must to get a real appreciation of the 'White Duke' at his very best. The title track and 'Suffragette City' may warrant all the airplay they garner however the two best tracks on the album are the trippy 'Moonage Daydream' and the raucous Beatle-esque 'It Ain't Easy'. Bowie's best work has been what he's put out with Mick Ronson in the fold and this is just a gem of an album.

Xanzay
I have a cassette version with the label number PK 1932, however different from any other versions I've seen on here the band at the top with the "RCA / Stereo / Victor" print is blue instead of red like on the other versions. The cassette itself is the orange background with black text which is found on other versions. The interior is slightly different and doesn't have the photo of Bowie on the reverse side. Can anyone point me to which version this is?

The Apotheoses of Lacspor
HiJust bought one copy and the vinyl is white, no run out matrix writing no infos.Anyone know anything about it?Thanks

Tto
It’s a cheap 2016 counterfeit version, indeed no matrix info. Released on black and other colour variations. Sound is reasonable.

Thohelm
You probably just bought a bootleg release, it's already in de db: http://www.discogs.com/David-Bowie-The-Rise-And-Fall-Of-Ziggy-Stardust-And-The-Spiders-From-Mars/release/7807186

Renthadral
RIP ZIGGY STARDUST

Velellan
I have a 4e/6e no main man with label side 2 on both sides of the Vinyl.Any suggestions ?

Zut
the very first ziggy stardust in discogs list has these letters Matrix / Runout (Runout, A-side, etched): BGBS - 0864 - 6E A1AQ Matrix / Runout (Runout, B-side, etched): BGBS 0865 - 4E A2X

Banal
TO BE PLAYED AT MAXIMUM VOLUME

Grillador
I have a signature on the back of my copy of this but unsure who's it is... It is on the back above Bowie in the telephone booth - could anyone help me identify?

olgasmile
I have a variant with Matrix / Runout (A-Side) BGBS-0864-6E and (B-side) BGBS 0865-4E. Yes, side A has a dash between BGBS and 0864, side B does not. The number 6 on side a is not a perfect 6.Front and back cover, labels and printed lyrics on the sleeve are all identical. Btw. I am referring to this release: http://www.discogs.com/David-Bowie-The-Rise-And-Fall-Of-Ziggy-Stardust-And-The-Spiders-From-Mars/release/618952

Dagdatus
When the matrix/runout info is hand etched there is always the possibility of slight, minor variations. Would consider this the same as http://www.discogs.com/David-Bowie-The-Rise-And-Fall-Of-Ziggy-Stardust-And-The-Spiders-From-Mars/release/5210659You appear to have a slight oddity though as the labels seem 1st press with with no "MainMan" mentioned. Perhaps the pressing plants wanted to use up the old stock before the new mainman credit labels were ready to go. Either that or it was pressed in the transitional period between the two publishers?

Slowly writer
It's not as simple as the notes above make it sound - that there are first pressings with Titanic credits with no "MainMan" mentioned on back and the later ones saying "MainMan" on label and back sleeve. In regards to the actual record, the consensus is that -1E / -1E matrices indicate a first issue, followed by a second pressing of -1E / -2E and finally -2E / - 2E. For the 'non-MainMan on sleeve back first editions', there are three identified cover print editions, it seems and - 1E/ -1E and -1 E/-2E matrices can be found in the first two cover variations that were derived from the US artwork and feature a copy and paste catalog number in the upper right of the front.The third variation can be found with labels that say "1-4 MainMan/Chrysalis" (on side 1) and - 2E / - 2E matrices. The RCA logo on front looks more professional on these.The illustrated db discography has a whole discussion on the original UK covers for this release, it is quite a long story. My sleeve points to a third issue (no cut & paste catalog number on front) but that is easy to determine, as -2E's records only came with these. This third version can easily be identified by showing a bit more of the street scene on the far left.The first two cover variations are:Cover A: A clear printed cover with a subtle change to the RCA logo on the front (the middle line SF 8287 ... catalog number being the only change). Cover B: Markedly inferior printing - the image is fuzzy, and the change to the RCA logo is very obvious ( the whole logo was cut and pasted over).As mentioned, both first and 2nd issue discs can be found in either cover A or B.

Eayaroler
Very helpful. I have two 1E/2E pressings, one with mAinman on the label/cover A and one with Titanic on the label/cover B. But the pressings sound identical (I guess because they're from the same stampers).

Mopimicr
Great sounding press the 1E/1E.

Malann
Compared my two vinyl version copies - the UK original (SF8287) and the 1983 re-issue (NL 83843). The re-issue clearly is different in sound compared to the original. The bottom - drums and bass - have less power, and the re-issue clearly have a less dynamic sound in general. It's more high pitched and sound a little "canned in" compared to the more open sound on the original.

Мох
Sorry. The mo-fi pressing is from the '80s. My bad.

Jonide
I totally know what you mean. Have you heard the Mobile Fidelity release from the 1990s? If you can find a copy, you will notice a substantial improvement in sound quality when compared with ANY other reissue. The overall imaging on my system was fantastic. Each instrument easily discernible and properly leveled. I just listened to the 40th Anniversary edition on 180g, and I still like the Mo-Fi remaster better.

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